Bengaluru treasure trove of many textures | India's latest information

The Beloved Vastrabharana is Coming – This 12 Months which will take place between 29th September and 3rd October – in Chitrakala Parishad. This is when sari lovers in the city will flock to the fair to buy their 12-month sari.

I am 'Trishanku', and I stand between Chennai and Bengaluru in respect of my allegiances. Which city is the best is a runaway and ultimately unsatisfactory train. I really like every site. There are areas where Bengaluru beats Chennai, the climate, for example, and sure enough, I know it's a draining cliche. In fact, one of my favorite Twitter posts from 12 months ago was: “Hi Bangalore, is everything right? No one has been bragging about your city’s climate in the last 24 hours.”

There may be one space though as the place Chennai stands head and shoulders above us, and I am taking advantage of this metaphor with a motive. It's textiles. Not long ago, I found out that the unique Vishvakarma Gallery held in New Delhi in 1983 had a full 50% of textiles from Tamil Nadu. The remaining states were pooled at the opposite of 50%. These Tamil textiles are referred to as Pudu Pavu, and the exquisite textiles included Kodali Karuppur, Sikalnayakanpet, Dharmapuri, Tirubuvanam and various textiles. Hear Sreemathy Mohan and Anita Ratnam talk regarding Tamil Nadu's least-identified weave on Ratnam's Instagram account to find out more about these weaves. It is even worn by Kannada brides, preferring Kanchipuram over Mulcalmo. Sure, we now have our own Dharwad curtains and khadi weaving collections supported by Prasanna et al, however, Bengaluru lacks a neighborhood of textile industry crazy ladies after the Karnataka Crafts Council members.

In Chennai, exhibition maker Sharan Aparao is doing spinning organic lectures. Here, we now have the record of the sari but not (but) alive around it. We now have an annual pilgrimage to Vastrabharana but in the past the Karnataka Craft Board would not have a strong presence in Bengaluru's 'scene'. Is the result of the mayors, along with Vimala Rangachar, Bharati Govindaraj, Chandra Jain, Geetha Rao, Mangala Narasimhan, Uma Rao, and others like them not as active “organizers” on social media? These are calm and elegant ladies with a lot of experience. However, within the traditional Indian style of guru-shishya parampara, it is imperative to work with them individually so that they have access to their own world of textiles. Nowadays many people, myself included, get our highs from watching ladies in stunning drapes posing for photos on Instagram. There are of us who write about sarees like Kaveri Ponnappa and Anju Maudgal Kadam. The 100 sari agreement originated in Bengaluru. However, in the past, talking about textiles is a one-time occasion and not a frequent job in Bengaluru. There is no neighborhood of (young) ladies who gather to share experiences, listen to the sound system, promote sari, and care for textiles.

Best way to change this? It could be the way for many saree lovers in the city to hook up with institutions like the Karnataka State Crafts Council, which hosts Vastrabharana. The opposite is for sari manufacturers within the city to create communities around these weaves. Bengaluru's beloved manufacturers along with Anjadi House and Vimore make a try in this course. Vimor has established a foundation and museum of resident textiles. The Home of Angadi has created events that enhance the neighborhood by inviting the sound system to its retailer. All of these efforts have to go extra. Fortunately, I may pay to attend weaving lectures (which end with some easy Oota) which may be administered as a membership. It may happen with a model or a retailer like Nalli's located in central Bengaluru. Newcomers like Taneira have the influence of the title Tata behind them and the beautiful area of ​​Indranagar. However, one of the biggest manufacturers of sarees in Bengaluru (with previous companies on the MG Highway) is persistently doing nothing. At least six occasions every 12 months are required to build a neighborhood. They don't have to be famous names. There is a wealth of information throughout the city. Nor should the purpose be total sales – despite the fact that it will do well. A neighborhood must be nurtured and developed by women and men who all speak for our woven heritage.

There is some hope. Not long ago I attended a talk on the Nationwide Institute of Trend Expertise. Developed collectively by sisters Mala and Sonia Dhawan who work tirelessly in the craft sector under the banner of A Hundred Palms. The panel included Bangaloreans and textile enthusiasts Pavitra Mudaya and Prasad Bidaba (who captured Martand Singh in his last video interview). Their enthusiasm and statements were inspiring. NIFT Director Susan Thomas is dynamic and full of concepts. She and the NIFT crew recently curated an amazing exhibition called “Vignette: Visvakarma Textiles: Artwork & Artistry” at the National Gallery of Modern Artworks (NGMA). Once I visited the gallery, it was encouraging to see teams of scholars walking around and looking at the items on the partitions. who knows? Perhaps it was the beginning of a lifelong love story between a young Bengali designer and the handcrafted textiles that characterize this land.

(Shuba Narayan is an award winning content creator in Bengaluru. Can be a contract contributor writing about artwork, meals, style and journey for quite a few posts.)

  • About the Author

  • Sobha Narayan is an award-winning innovator in Bangalore. You could be a contract contributor writing about artwork, meals, style and journey for quite a few posts.
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